SAMANTHA
HANKEY

Mezzo-soprano

 

Upcoming appearance:

NEW YEAR’S CELEBRATION (DEC 31 & JAN 1)


December 31
2025


Boston Baroque debut


 

Samantha Hankey will make her Boston Baroque debut in the New Year’s Celebration in the 2025/2026 season singing a selection of Mozart arias.


Lauded for her “elegance and youthful tone” (Financial Times) and “a complete dramatic presence with a voice as lustrous as it is molten” (Opera Magazine).


Highlights of mezzo-soprano Samantha Hankey's 2025-2026 season include house debuts with Staatsoper Berlin, where she sings the role of La muse/Nicklausse in Offenbach’s Les Contes d'Hoffmann. She appears in four productions with Wiener Staatsoper, performing as Octavian in Strauss’s Der Rosenkavalier, Dorabella in Mozart’s Così fan tutte, and Der Komponist in Strauss’s Ariadne auf Naxos in Vienna. She reprises the role of Der Komponist in Ariadne auf Naxos at Glyndebourne Festival to close her opera season. In recital, she appears at Carnegie Hall with the Oratorio Society of New York, and in two performances with pianist Myra Huang: with the Collaborative Arts Institute of Chicago, and in her Cal Performances debut in Berkeley, California.


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In recent seasons, Hankey made debuts with the Chicago Symphony Orchestra at the Ravinia Festival in Mozart's Idomeneo, at New National Theatre Tokyo in the title role of Carmen, at London's Royal Opera House as Dorabella in Così fan tutte; at Detroit Opera as the Fox in Leoš Janáček’s The Cunning Little Vixen; and in a role debut as Santuzza in Cavalleria Rusticana at Lyric Opera of Kansas City. She returned to Opernhaus Zürich for Così fan tutte; performed as a featured soloist in Beethoven’s Missa Solemnis with Rundfunk-Sinfonieorchester Berlin, and appeared in recital at Antwerp LiedFest. She also sang Octavian in Der Rosenkavalier at the Metropolitan Opera, made her role and house debuts as Mélisande in Pelléas et Mélisande in Netia Jones’ production at Santa Fe Opera, performed as Federico García Lorca in Golijov’s Ainadamar at Scottish Opera, and made her house debut as Hänsel in Hänsel und Gretel at Lyric Opera of Chicago.

On the concert stage, she has performed at the Bard Festival, Carnegie Hall, the title role in Handel’s Agrippina in concert with Il Pomo d’Oro in Finland, in solo recital at Wigmore Hall, New York City at Lincoln Center’s Alice Tully Hall, and the Metropolitan Museum of Art. Hankey co-developed the lead roles in David Herzberg’s The Rose Elf and The Wake World, both of which received considerable praise, premieres, and CD recordings. She has also premiered new works with Opera Philadelphia and The Metropolitan Opera. 

Hankey’s career includes numerous awards in national and international competitions. In 2018, she won both first prize and the media prize at the inaugural Glyndebourne Cup, multiple prizes at the Operalia Competition, and grants from the Richard Tucker Music Foundation. She was a 2017 grand finals winner at the Metropolitan Opera National Council, took first prize in the Dallas Opera Guild Vocal Competition, and received a Leonore Annenberg Arts Fellowship in the foundation’s final year.

Hankey is a graduate of Juilliard, where she received both her Bachelor and Master of Music degrees. A native of Massachusetts, she embraced her passion for music from an early age and pursued pre-college vocal training at the Longy School of Music and the New England Conservatory.