Her 2018-2019 season included Marnie’s shadow in Marnie, the cover of Rossweisse in Die Walküre with the Metropolitan Opera, and Lucienne in Die tote Stadt with the Bard SummerScape. The 2019-2020 season includes her return to the Metropolitan Opera for productions of Akhnaten, Manon, and La Cenerentola, as well as Berlioz’s Les nuits d’été with the Missoula Symphony.
Most recently, Ms. Ringle Kamarei appeared as Catherine in Shining Brow with UrbanArias; Arnalta in L’incoronazione di Poppea with Cincinnati Opera; Maddalena in Rigoletto with Baltimore Concert Opera; Beethoven’s Symphony No. 9 with the Rogue Valley Symphony, Phoenix Symphony, and Brevard Symphony; Mahler’s Symphony No. 2 with the Cheyenne Symphony; Verdi’s Requiem with the Midcoast Symphony Orchestra; Handel’s Messiah with Augustana College, the Omaha and Jacksonville Symphonies, and Rhode Island Philharmonic; Elijah with the Bach Festival Society of Winter Park; Mozart’s Mass in C minor with the New West Symphony; and returned to the Metropolitan Opera for productions of Alfano’s Cyrano de Bergerac, The Death of Klinghoffer, Manon, Shostakovich’s The Nose, and Elektra.
Other operatic highlights include her Metropolitan Opera mainstage debut singing Rossweisse in Die Walküre and repeating the role with the Washington National Opera directed by Francesca Zambello, her international debut as Dido in Dido and Aeneas with the Macau International Music Festival, Armida in Handel’s Rinaldo with Opera Vivente, Leda in Die Liebe der Danae with the Bard SummerScape, the title role in Handel’s Ariodante and Hippolyta in A Midsummer Night’s Dream with The Princeton Festival, Hansel in Hansel and Gretel with the Piedmont Opera, Suzuki with Cedar Rapids Opera, Dorothée in Cendrillon with New Orleans Opera, and the Composer in Ariadne auf Naxos with Utah Opera.
The 2010-2011 season saw Ms. Ringle Kamarei join the roster of the Metropolitan Opera for its productions of Nixon in China and Die Walküre. She made her professional debut as Tebaldo in Don Carlo with the Cleveland Orchestra under Franz Welser-Möst. She has performed with the Orchestra Sinfonica di Milano Giuseppe Verdi as a soloist in Piazzolla’s Songe d’une Nuit d’été and as Pâtre/La chatte in L’enfant et les sortilèges.
A consummate concert artist and recitalist, Ms. Ringle Kamaeri has performed Handel’s Messiah with the Oratorio Society of New York, Jacksonville Symphony, Branford Camerata, Richmond Symphony, Jacksonville Symphony, and Utah Symphony. She has sung Bach’s St. Matthew Passion with the Richmond Symphony, Mozart’s Requiem with the National Chorale, and Mahler’s Lieder eines fahrenden Gesellen with Orchestra New England. She has appeared in Carnegie Hall’s Weill Recital Hall performing da Falla’s Siete Canciones Populares Españolas and has collaborated with Ars Antiqua Baroque Orchestra on arias from Handel’s Hercules and Rinaldo and Vivaldi’s Juditha triumphans. She has also appeared at the acclaimed Marlboro Music Festival, performing chamber music and songs by Ravel, Mahler, Janacek, and Britten.
