Richard Croft
Tenor
January 31
1997
Boston Baroque debut
1
Performance
with Boston Baroque
Tenor Richard Croft is internationally renowned for his performances with leading opera companies and orchestras around the world, including the Metropolitan Opera, Vienna Staatsoper, Teatro alla Scala, Opera National de Paris, Berlin Staatsoper, the Salzburg Festival, and Festival d’Aix-en-Provence, as well as the Berlin Philharmonic, Vienna Philharmonic, Leipzig Gewandhaus, Cleveland Orchestra, New York Philharmonic, and Boston Symphony Orchestra. His clarion voice, superlative musicianship, and commanding stage presence allow him to pursue a wide breadth of repertoire from Handel and Mozart, to the music of today’s composers.
Operatic highlights of Mr. Croft’s past seasons include; Captain Vere in Billy Budd for Deutsche Oper Berlin; Handel’s Jeptha directed by Claus Guth and conductor Ivor Bolton at Dutch National Opera; Idomeneo with the Orquestra Metropolitana de Lisboa; the title role of Mozart’s Idomeneo at the Teatro alla Scala, Theater an der Wien, Théâtre des Champs-Élysées, Ravinia Festival, Festival d’Aix-en-Provence, and Mozarteum’s Mozartwoche in Salzburg; Hyllus in Handel’s Hercules at the Canadian Opera Company and Lyric Opera of Chicago; Jupiter in Handel’s Semele at the Théâtre des Champs-Élysées; Captain Vere in Britten’s Billy Budd at Los Angeles Opera; the title role in La Clemenza di Tito with the Wiener Staatsoper; Lurcanio in Handel’s Ariodante with the San Francisco Opera; Don Ottavio in Mozart’s Don Giovanni with the Seattle Opera; Ubaldo in Haydn’s Armida and the title role of Mozart’s Mitridate at the Salzburg Festival; Mamud in Vivaldi’s La Verità in Cimento with Opernhaus Zürich; and M. K. Gandhi in a new production of Philip Glass’s Satyagraha at the Metropolitan Opera, which was broadcast on the Emmy and Peabody Award-winning Live in HD series to movie theatres around the world.
“Mr. Croft gives an outstanding portrayal of the ruler incapable of action while deploying his velvety tenor with regal stylishness. His delivery of the challenging “Fuor del mar” is technically stunning, yet the aria emerges as the recognizable product of a tormented soul.”
—-New York Times